%Menota_entities;] > "Now the depths of my heart" Erhard Oeglin Transcription by Christopher Hutchinson Translation by Christopher Hutchinson Encoded in TEI P5 XML by Danny Smith The Global Medieval Sourcebook

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The first printed songbook with songs primarily in German was printed in July 1512 by the Augsburg printer Erhard Oeglin (ca.1470-1520). The songbook consists of four partbooks – it is also the first German song collection with four voices throughout - and contains 49 songs with a mixture of spiritual and secular content, 43 of which are in German and 6 in Latin. Oeglin was an innovative printer, credited as one of the first printers to print musical notation using movable type and as one of the first printers of “Zeitungen” – news-sheets. Oeglin does not attribute any of the songs to particular composers but some of these songs do appear in other songbooks of this period where they are attributed to various composers active at the Imperial court, including Ludwig Senfl, Paul Hofhaimer and Heinrich Isaac. These songs are collectively known as tenor lieder, as the melody is usually carried by the tenor line. This was the prototypical song type in Germany at the turn of the sixteenth century and enjoyed particular prominence at the court of the Emperor Maximilian (1459-1519).

Digitized copies of these partbooks from the Bayerische Staatsbibliothek in Munich are available online here: https://stimmbuecher.digitale-sammlungen.de//view?id=bsb00082229

Saunders, Steven. “Music in Early Modern Germany.” Early Modern German Literature 1350-1700, edited by Max Reinhart, Camden House, 2007, pp. 653-698.

Keyl, Stephen. “Tenorlied, Discantlied, Polyphonic lied: Voices and instruments in German secular polyphony of the Renaissance.” Early Music, vol. 20, no. 3, 1992, pp. 434–445.

Bayerische Staatsbibliothek München 00082229 Rar.27 Stimme T f.29r

"Yetz schaydens wee ist worden kund" "Now the depths of my heart"

"Now the depths of my heart is published by The Global Medieval Sourcebook (GMS), a free, open access, and open source compendium of medieval texts in their original languages and in English translation. GMS comprises computer-readable transcriptions or editions alongside new translations of texts dating from the ninth to the sixteenth century and originating in Europe, North Africa, the Middle East, and Asia. The GMS platform includes critical introductions as well as sources for further reading.

Transcriptions and translations are encoded in XML conforming to TEI (P5) guidelines. The original-language text is contained within <lem> tags and translations within <rdg> tags.

Texts are translated into modern American English with maximum fidelity to the original text, except where it would impair comprehension or good style. Archaisms are preserved where they do not conflict with the aesthetic of the original text. Scribal errors and creative translation choices are marked and discussed in the critical notes.

Linebreaks and punctuation follow the manuscript.

 <app> <lem wit="#Transcription"><!--Title in original language, which may be a longer form than that used elsewhere--></lem> <rdg wit="#Translation"><!--Title in English, which may be a longer form than that used elsewhere--></rdg> </app>

Yetz schaydens wee ist worden kund / meins hertzen grund / Now the depths of my heart have discovered separation’s sorrow, des ich vor nye / dan erst durch dye / bin worden inn / hertz mut und synn / my heart, spirit and senses, which I have only experienced because of her, ward mir zerstrayt / gantz weit und prayt / were scattered far and wide: ich dacht ich stürb vor hertyenlayd. I thought I’d die of a broken heart.

Nun hat sich glück herwider kert / Now fortune has returned und mich ernert / vor schaydens pein / and saved me from separation’s pain, dardurch al mein / plut was betrübt / through which all my blood was dulled. glück hat geübt / in disem spil / Fortune has played its part in this game, darin ich vil / frewd lust und gnad erwerben wil. in which I will gain much joy, pleasure and favor.

Sölch frewd ytz niemer widerfart / ist mir gar hart / Now it’s very hard for me that such joy is gone forever. verkert in laid ich wider schayd / Turned to pain, I leave again; macht newes wee / noch mer dan ee / this brings new sorrow, even greater than before: mein hertz erkant / recht lieb befandt / my heart had come to know and had felt joy: erst thut mir schayden angstlich andt. only now separation brings me to despair.