Weimar, Herzogin Anna Amalia Bibliothek MS. Q 566
Transcriptions and translations are encoded in XML conforming to TEI (P5) guidelines. The original-language text is contained within <lem> tags and translations within <rdg> tags.
Texts are translated into modern American English with maximum fidelity to the original text, except where it would impair comprehension or good style. Archaisms are preserved where they do not conflict with the aesthetic of the original text. Scribal errors and creative translation choices are marked and discussed in the critical notes.
This translation is based on August Mayer’s 1908 edition of Folz’s master songs, available on Archive.org. I have maintained the original manuscript’s division of stanzas but have elected not to divide the transcription and translation into lines as the manuscript itself does not do this. I have also not attempted to recreate the rhyme scheme of the original German. The manuscript in which this song survives is available online on the website of Duchess Anna Amalia Library in Weimar.
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The manuscript reads “xpnheit”, a common nominum sacrum for Christ.
It is unclear to whom Folz is referring here.
The German here is simply ‘puchz’ – box, tin, canister. Given Folz’s main occupation as a barber-surgeon, this probably refers to a box of ointments or simple medicines.
The manuscript reads “xpnheit”, a common nominum sacrum for Christ.
It is unclear to whom Folz is referring here.
The German here is simply ‘puchz’ – box, tin, canister. Given Folz’s main occupation as a barber-surgeon, this probably refers to a box of ointments or simple medicines.
The manuscript reads “xpnheit”, a common nominum sacrum for Christ.
It is unclear to whom Folz is referring here.
The German here is simply ‘puchz’ – box, tin, canister. Given Folz’s main occupation as a barber-surgeon, this probably refers to a box of ointments or simple medicines.